Skip to main content

Good Night, Good Morning - A Movie to remember


Director : Sudhish Kamath

In between my transit and my stay at various places in Kerala, I happened to see the movie 'GOOD NIGHT, GOOD MORNING'. It was one of those Indian English movies or rather what we simply call as NRI movies.  A noted film-critic with ‘The Hindu’, ‘GOOD NIGHT, GOOD MORNING’ is Sudhish Kamath’s second movie, and as a regular reader of his movie reviews in 'The Hindu', I was naturally attracted to this second venture of his.  


The title as well as the poster caught my attention and so did the synopsis, as I delved into this movie which is entirely shot in black and white. The Black and White narration seemed to be an anachronism at first, but it essentially turns out to be the movie's USP. It adds to the romanticism of the plot as only the dreamy sequences and the flashbacks are in color. The film employs the ‘Split-Screen’ narrative, where the entire story is shown happening side by side.  Plot wise, the movie is original, engrossing and entertaining.

The movie is based in US, New York and the main protagonists are NRI's which help strike an instant chord with the urbane multiplex hopping young Indians.  The story revolves around the female character Moira (played brilliantly by Seema Rehman), who stops by in New York while on her transit. There she meets Turiya (played by Manu Narayanan), who along with two of his friends is on a wild night celebration spree. The guys manage to get her hotel room number and there by her phone number.

While on their drive back, in an intoxicated state, the guys decide to call her. Turiya calls her and after an initial hesitation, the Moira engages in conversation with him. The rest of the movie is about their phone conversation which is gripping, self reflective as also romantic. The topics of their conversation range from their mutual attraction, to discussion about 'The Matrix', spiritual stuff as also their individual problems.  In the course, they both discover themselves and each other as a subtle romance takes over.

'GOOD NIGHT, GOOD MORNING' is a very subtle movie, depicting the nuances of relationships that happen just out of the blue - with people whom we never meet or never thought about meeting, but still happens - and then leaves a lasting impression in our lives making us wonder, how life can be so strange. Sudhish Kamath's narrative is fresh, romantic and engrossing while, performances of both the lead actors, Seema Rehmani and Manu Narayan are compelling and original.  

It is one of those movies that have to be relished like a crunchy and creamy ice-cream sandwich. A must see movie.

Comments

Popular posts from this blog

The Dirty Picture

It is commonly believed that heroine (read women) oriented films are never a guarantee for success, especially in Bollywood.  But here is one movie that is out there to prove us all wrong.  'Dirty Picture' is a look back at the 1980's when plus-sized heroines as well as dance-girls posed as sex-sirens on the screen ensured a movies success.  The southern Starlet Silk Smitha was an undisputed queen of this crowd and this movie was a good  attempt at focusing on her life and times .  Pic Courtesy : Chitramala.in Dirty Picture is a semi-biography of sorts about this actress who used her oomph and sexuality to good measure, leaving men panting, and marking her presence in tamil movies as an instant guarantee for cash registers ringing. Vidya Balan, who is otherwise known for her non-conformist and clean image, plays the role of Reshma or just 'Silk' to good effect in this thought provoking film.  At these times, when her pee...

Zindagi Na Milegi Dobara

Seize the Moment, My Dear Friend, yeah Zindagi Na Milegi Dobara Director : Zoya Akhtar *ing : Hrithik Roshan, Abhay Deol, Farhan Akhtar, Kalki Kochelin, Katrina Kaif and the Surprise Ingredient The long wait for the fourth of the ‘Farhan Akhtar’ Series was over. I call it a ‘series’, simply because they speak the same theme, without boring ourselves, and they follow a patter, without looking mundane. The ‘Coming-of-age’ theme, which was so central in his earlier movies like ‘Dil Chahta Hei’, ‘Lakshya’ and ‘Rock-on’ is employed here too, and so is his ‘ gang of three friends’. There is no central character or a protagonist, and all share the same screen space, never letting the other to hog the limelight. Zindagy Na Milegi Dobara (ZNMD), too, speaks the same script. A Coming-of-age story of three men, Kabir (played with nuance by Abhay Deol), Arjun (Hrithik, a treat for the eyes) and Imran (impressive and versatile, yet again). Kalki’s Natasha is engaged to Kabir and Laila (K...

Amélie - Le fabuleux destin d'Amelie Poulain [French Movie]

It was quite by chance that yesterday, while browsing TV Channels, I stopped at UTV World Movies to watch the Frech movie 'Amélie' .  I found the movie to be a classic.  Very subtle depiction and a flowing story line makes this movie indeed special. 'Amélie' is the story of simple and innocent young girl (played by Audrey Toutou of the Da Vinci Code Fame).  Amélie lives alone in Paris and works as a waitress for living. She is a young woman who lives a solitary life after her mother's death and subsequently, her father leaving the child for another woman.  Following a couple of failed romances, she now contemplates living life in the simplest way, often deriving pleasures from an imaginative and a fantasy life. The story takes a turn on the evening of 31st August 1997, when she hears the death of Princess Diana, and shocked she is, accidently drops a bottle on to the floor and accidently loosens a wall tile.  The...