Director : Sudhish Kamath Starring : Manu Narayan , Seema Rehmani In between my transit and my stay at various places in Kerala, I happened to see the movie 'GOOD NIGHT, GOOD MORNING' . It was one of those Indian English movies or rather what we simply call as NRI movies. A noted film-critic with ‘ The Hindu ’, ‘ GOOD NIGHT, GOOD MORNING’ is Sudhish Kamath’s second movie, and as a regular reader of his movie reviews in 'The Hindu', I was naturally attracted to this second venture of his. The title as well as the poster caught my attention and so did the synopsis, as I delved into this movie which is entirely shot in black and white. The Black and White narration seemed to be an anachronism at first, but it essentially turns out to be the movie's USP. It adds to the romanticism of the plot as only the dreamy sequences and the flashbacks are in color. The film employs the ‘Split-Screen’ narrative, where the entire story is shown happening side by side. Plot
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